Hwal (2005)

“Hwal” (2005)


shouting quietness

You decide where you should support yourself, while you surf across the vastness of films, and art, that you try. Kim Ki Duk is one of most dear ports i seek for shelter, these days. I thought Bin Jip was transcendental in several ways. It was a sketch of love, a beautiful idea of seeing without looking, feeling without touching. It allows us to experiment in our minds, to subtract the noise of ordinary emotional pornography, and lift us to a different world. My personal experimentation of both Bin-Jip and this one was enhanced by the fact that it was a shared experience, with someone very important (bin-jip was even suggested by her).

I suppose this may be a personal question, but to me Bin Jip, having much to do with this film, tops it in every respect. And it shouldn’t. I mean, this one is, in its core, much closer to what it talks about. It should be a step further, regarding the other one. Isolation, the old man and the girl completely separated while sharing the same boat, the same life, the same room! The old man doesn’t touch the girl, but bathes her every night. The disturbances that overcome the quietness of the see. Metaphors, The bow, the rope. This is built out of oppositions, or better still, contradictions. But the outcome works similar to Bin-jip. The couple consummate their love when the old man disappears. The same philosophy of not touching, here achieved through a more spectacular scene, where sex is consummated, after the old man leaves to the sea.

So, this is a safe port, a beautiful journey, and if you expect nothing of it, you will get many good things. Compared to Bin Jip this is even more depurated, and all the imagery is more worked our and developed. So it works out the visual complaints i had with bin-jip. But it is less subtle, less developed, and thus, less challenging.

My opinion: 4/5

This comment on IMDb


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